2023 Diary in Song
An experiment to name a song every day that made me feel. Something, anything. Some new, some old. All beloved for either a moment or a lifetime.
January 2023
- My Morning Jacket, One Big Holiday - Waking up feeling good and limber. I'd venture 365 days from now there will be no songs with a greater number of guitars.
- The Flying Burrito Brothers, Hot Burrito #1 - On days when the sun never quite came up, the gilded palace of sin isn't a terrible place to live.
- Lady Lamb, Bird Balloons - I swear there are 7 different songs in 6 minutes, ending with a cackle and speed to burn.
- Built to Spill, Car - The best singalong an aging VW station wagon shall ever know.
- Black Thought & Danger Mouse, Belize (ft. MF Doom) - the shock and joy of Doom coming back for one last verse was a 2021 high. BT's precision fades into a lazy Doom haze.
- Willie Nelson, Señor (Tales of Yankee Power) - Like a recipe where every ingredient adds to the mix. Dylan needed Wille. Willie needed Calexico. Then Salvador Duran sends it all to the heavens.
- El-P, Deep Space 9MM - That beat. The fear what's to come. For the love of God, run.
- Magnetic Fields, Papa Was a Rodeo - Proof that Nashville doesn't produce the best country songs.
- D'Angelo, The Charade - The almost twenty year wait was fully worth this.
- Vivian Girls, Never See Me Again - What if the Mamas and Papas hit hard?
- Will Oldham, New Partner - Every version is beautiful, but this one from "Songs of Love and Horror" is exquisite.
- (tie) Neneh Cherry, Buffalo Stance and LCD Soundsystem, Losing my Edge - A banner morning on KEXP punctuated by a song reminding me of Babe Ruth League baseball and one reminding me of how long ago and iterations of cool that was.
- Lee "Scratch" Perry & The Upsetters, Black Panta - Feels like spring all around.
- Uncle Tupelo, Sauget Wind - windows down when it kicks in.
- SZA, Nobody Gets Me - only like 50% of these songs are about psyches on a knife's edge, but SZA is doing it best right now.
- Erykah Badu, The Healer/Hip Hop - this was the future then. This is still the future. It will always be.
- TV on the Radio, Wolf Like Me - all coiled-up energy just waiting to go.
- The Kinks, This Time Tomorrow - sad it tool me so long to come to such a perfect song. From takeoff to landing, perfect.
- Little Simz, Gorilla - For ten years, just about the best in the game. Never misses.
- Gang of Four, Damaged Goods - All angles and sweet kisses and sour sweat. Thank god we didn't know about umami yet.
- Thin Lizzy, Dancing in the Moonlight - scary as a kid, but this just swings. Even the dogs can dance to that groove.
- Flaming Lips, Fight Test - I have a dog named for this album and this mission statement is brilliant.
- Blood Orange, Time Will Tell - absolutely slept on R&B.
- Amy Winehouse, Love is a Losing Game (Live at the Mercury MusiSeldac Awards) - a performance that stops time dead in its tracks.
- Bright Eyes, Land Locked Blues - I've lived with this album for 18 years today. As always, everything is made better with Emmylou.
- Phosphorescent, At Death, A Proclamation - as Jason Isbell sang about Centro-Matic, "and somehow you put down my fears on a page / when I still had nothing to say"
- Public Enemy, Rebel Without a Pause - still sounds as fresh and insistent today as ever. The first hip-hop album I ever bought and first my mom ever took away.
- The Clash, Rudie Can't Fail - for those who like their punk with a horn section
- The Gaslight Anthem, Miles Davis & the Cool - this song rattled through my bones through all of 2022. On how one desperate move can change the present and the future.
- Silver Jews, Punks in the Beerlight - two burnouts in love. Berman was the best we had.
- Clipse, Grindin' - Best beat ever, but is it the best beat from Virginia?
February 2023
- Antony & the Johnsons, Fistfull of Love - Lou Reed banging on a guitar while an angel sings over a full horn section. Some real reese's peanut butter cup shit.
- The Felice Brothers, Don't Wake the Scarecrow - for my money the best song about running away and starting a new life with a hooker.
- Girls, Jamie Marie - good, old-fashioned indie soul all leading to a devastating "whatever" and then ascending from there.
- Bill Callahan, Too Many Birds - that climbing verse, "if/if you/if you could/if you could only/if you could only stop/if you could only stop your/if you could only stop your heart/if you could only stop your heart beat/if you could only stop your heart beat for one heart/if you could only stop your heart beat for one heart beat". Colossal.
- Deltron 3030, 3030 - other planets deserve hip-hop too.
- Selda Bacan, Ince Ince - I knew those samples were from a 1970s Turkish psych-folk song.
- Baby Huey, Hard Times - another one introduced via sample
- Tricky, Hell is Round the Corner (2009 Remix) - It was a rough week. Welcome home, Tricky Kid
- Big Star, The Ballad of El Goodo - Perfect power pop. Just perfect.
- Dijon, Many Times - my favorite discovery of the past few years. Frantic, joyful, fun R&B with just a little bite.
- Beastie Boys, Egg Man - For that day when its suddenly 60 degrees in mid-February and you can roll down the windows again.
- De La Soul, Eye Know - RIP Plug 2. The joy of hip-hop is across their catalog, but particularly here.
- Joy Division, Transmission - Something that sounds this dark shouldn't be this easy to dance to. If what that was was, in fact, dance.
- Josh Ritter, Thin Blue Flame - it takes a storyteller to foresee where the world was going - both good and bad - and to lay it out so beautifully over ten minutes. Fear and joy in equal measure.
- Wilco, Jesus, Etc. - from the first time I heard it on a ripped CD in the front seat of Eddie Davila's car driving weird loops around Phoenix to get the whole album in - wow, that chorus.
- The Modern Lovers, Girlfriend - this whole album is a revelation and Jonathan Richman is a silly genius.
- Magnetic Fields, Papa was a Rodeo - the best country song of my lifetime is not, in fact, a country song.
- William Onyeabor, Fantastic Man - likely my favorite funk song by a Nigerian businessman with little interest in his music.
- John Moreland, Break My Heart Sweetly - good love is hard to kill and sometimes it needs to be.
- Eels, Things the Grandchildren Should Know - from the first time I heard it, this felt like me. It only becomes realer and truer as time passes.
- Craig Finn, Western Pier - wandering the beach, searching for redemption.
- Kevin Morby & Waxahatchee - the first of the couples saving country from the outside.
- Kasey Chambers, Abraham - fathers and daughters saving country.
- How to Dress Well, Cold Nites - as the tech steps up, his beats become even more insane.
- The Hold Steady, Stevie Nix - probably the song I have heard the most times as an adult. The bar-riest of the bar tunes.
- Royal Headache, Down the Lane - Australian punk via 1968 California.
- Sleater-Kinney, Night Light - S-K at their heaviest. Corin at her howliest.
- Shabazz Palaces, 32 Leaves Dipped In Blackness Making Clouds Forming Altered Carbon - Ish Butler came to us bringing the 50's back and somehow ended up in the 3000s
March
- Okkervil River, The Velocity of Saul at the Time of His Conversion - OR questioning their faith, soaring through a chorus and resolving in a singalong.
- Old 97's, Doreen -the third verse is everything they ever did right distilled into a few lines "Well, I'm pulling into Cleveland in a 7-seater tour van/There's eight of us, so I'm sleeping on the floor/The guy the plays the banjo keeps on handing me the Old Crow/Which multiplies my sorrows, I can't take it anymore"
- De La Soul, Keeping' the Faith - celebrating De La finally streaming.
- Neutral Milk Hotel, In the Airplane Over the Sea - Heavenly lyrics, singing saws and a sing-along, This is how it should be done.
- Pinegrove, Aphasia - Sadder than yesterday, but still ends in a sing-along.
- Bubba Sparxx, Ugly - that Timbaland beat will likely re-appear sometime, but the playfulness and confidence is full on display.
- Bully, I Remember - just a ripshit remembrance of the early 90s.
- Japandroids, Fire's Highway - One night to have and to hold. To let live and never let go.
- Bruce Springsteen, For You (Live at the Hammersmith Odeon) - Bruce stripped all the way back to piano musically and to the studs emotionally.
- Cornershop, Good to be on the Road Back Home Again - another wonderful country song by a decidedly un-country artist.
- The Lemonheads, Rudderless - peak 90s grunge-pop with a sweet, Juliana kiss.
- Pavement, Summer Babe (Winter Version)- Lyrically inscrutable. Musically, a hammer. Pavement at its best.
- The Kinks, This Time Tomorrow - I remember hearing this two days after surgery and realized that if nothing else, I would live so I could hear this over and over.
- Iron & Wine, Resurrection Fern - All of the beauty and difficuklties of America in the form of a southerner's prayer.
- George Michael, Waiting (Reprise) - most-loved as a pop star, he was his best stripped back and yearning.
- Leonard Cohen, Chelsea Hotel #2 - I don't feel like saying more adds anything.
- Cat Power, I Don't Blame You - Chan knows the pain and empathizes all the way.
- John Moreland, Break My Heart Sweetly - the front porch of the album cover sprung to life.
- John Prine, Bruised Orange (Chain of Sorrow) - it ain't such a long drop, don't stammer, don't stutter / from the diamonds in the sidewalk to the dirt in the gutter.
- PJ Harvey, Long Snake Moan - an absolute hammer and wail.
- The Roots, You Got Me - if just for that drum break, that would be enough.
- Bruce Springsteen, Lost in the Flood (Live @ Hammersmith Odeon) - on the drum break theme, the way Bruce says "everything stops, you hear 5 quick shots" and Max Weinberg fires them from his snare.
- Townes Van Zandt, Two Girls (Live at Old Quarter) - maybe his best, but I'll say that five more times.
- Waxahatchee, Half Moon - again, country coming from all corners.
- FKA Twigs, Two Weeks - in a headphone age, this is the closest you get to ascension between your ears.
- Koffee, Shine - a reminder that the power of reggae lives on and to shine through
- Richard and Linda Thompson, Walking on a Wire - as fine a breakup song as ever made and unquestionably that from two perspectives
- Me'Shell Ndegeocello, Shirk -Me'Shell at her very best which is a high bar
- Elvis Costello and the Attractions, Watching the Detectives (Live at Hollywood High) - Elvis is many things, but rarely this skanky.
- Beastie Boys, So Wat'cha Want - sunroof open. Volume up.
- Terius Nash, Wedding Crasher - the rare wedding anthem starring an ex, a bottle of tequila and a whole heap of regret.
April
- Leonard Cohen, Chelsea Hotel #2 - That I waited until April to get to Cohen, a man who embodies the winter ethos is my bad.
- Peter Laughner, Amphetamine - a Clevelander with a guitar and a tambourine and not much else. It took some time to recognize the lo-fi genius on display.
- Fatlip, What's Up Fatlip - Can 90s slacker energy peak? Trough? I say coolin'.
- Tom Tom Club, Genius of Love - that beat.They saw something coming that the rest of the world missed.
- Le Tigre, Eau De Bedroom Dancing - Much like genius of love, the infectiousness is real.
- Afghan Whigs, Faded - yes, one of my top ten songs of all time is a straight ripoff of Purple Rain, another top 10.
- Skeeter Davis, The End of the World - I feel like my grandparents probably had this on a cheap transistor radio at some point. If they didn't, they should have.
- Best Coast, Storms - no one was more purpose built to cover Fleetwood Mac
- The Bottle Rockets, Smokin' 100s Alone - typical bottle rocket trailer park songs of woe
- Tim Hardin, Black Sheep Boy - it came to me via Okkervil River, but this is 70s songwriting simplicity
- Belle & Sebastian, Fox in the Snow - twee in not an insult when it is this delightful
- D'Angelo & the Vanguard, Really Love - picking a D single is impossible. Is this an album? Just a vibe? Just stretch out and let it wash over.
- Smog, I Break Horses - this is one I deeply feel in my bones. Tonight I'm swimming to my favorite island.
- Randy Newman, Feels Like Home - He can be funny and silly, but he can also write about love in the most thoughtful terms possible
- Creedence Clearwater Revival, Have You Ever Seen the Rain? - didn't know it at the time, but maybe the most influential song and band on what would hit me 25 years down the road.
- Phosphorescent, Song for Zula - he appears a lot here. He's earned it with imagery than no one else quite hits.
- The Clash, Rudie Can't Fail - The horns. The call and response. This certainly can't be punk.
- Titus Andronicus, A Pot in which to Piss - 10 minutes. Like 6 movements. Again, this can't be punk.
- Method Man, Release Yo Delf - Another windows down banger
- Bad Brains, Banned in D.C. - as hard and as fast as it gets. Music as a dead sprint.
- The Antlers, Two - Harrowing story of conflicted emotions where every word counts.
- Mulatu Astatke, Tezeta (Nostalgia) - even though this wakes me way too early 5 days a week, its a the calm and warmth just envelopes you.
- Jason Isbell, Cover Me Up - it could be anything he's written. They just keep coming, but this is him at his sharpest.
- The Paragons, The Tide is High - oh, that's where that came from...
- Vivian Girls, The End - Cali punk, surf rock or beach music? Who cares, more like this.
- Sunset Rubdown, Silver Moons - just a lovely album that jumps from gentle to bombast with every movement.
- Run the Jewels, a few words for the firing squad - felt like a documentary in the summer of 2020, but it was written prior. Hate is predictable.
- The Distillers, I am a Revenant - I think this is the date 8 years ago that I had surgery on my lungs. This reminds me that I am, in fact, back to reclaim my stolen breath.
- Natalie Maines, Lover, You Should Have Come Over -Jeff Buckley deserves all of the credit for writing a song infused with so much longing, but this interpretation really reminds you of the soulhe put into this.
- Jackson C. Frank, Blues Run the Game - late night Sunday radio sending you sprinting to Shazam. How is this new to me? What if John Denver walked me through his pain?
May
- Prince, Nothing Compares 2U - that this was hidden from the light for so long makes it so more special that it finally found its way
- Songs : Ohia, Just Be Simple - I just didn't get busted.
- Talking Heads, Psycho Killer - psycho bass line.
- Billy Bragg, Waiting for the Great Leap Forward - we're still waiting for that leap, re-hashing the same things he's said ever since.
- Wednesday, Bull Believer - eight minutes of breathlessness that releases into an acoustic guitar letting some light back in
- The National, Once Upon a Poolside - everything good about The National. Darkness. Light. The hope that we all find our way.
- Son Volt, Windfall - its gotta be in my top 10. That verse - "Catching an all-night station / somewhere in Louisiana / it sounds like 1963 / but for now it sounds like heaven"
- Jackson Browne, These Days - so many to chose from, but this is tip-top. Don't confront me with my failures. I had not forgotten them.
- Evan Dando, The Ballad of El Goodo - The best power pop song gets the full power pop slacks treatment.
- Kurt Vile, Wakin on a Pretty Day - more power poppiness as the sun rises over the mountains. The day didn't turn out all that pretty, but KV did his damndest.
- Sons of Kemet, My Queen is Albertina Sisulu - the way that tuba on the bottom shakes everything around me makes the time pass quicker
- Toots & the Maytals, Pomps and Pride - unbridled joy .
- Benjamin Booker, Violent Shiver - the title fulfills its promise. 3 furious minutes of pleasure.
- Charles Wright and the Watts 103rd Street Rhythm, Comment (If All Men Are Truly Brothers) - a constant reminder that we're all in this together
- The Flying Burrito Brothers, Wild Horses - I'll die undecided on which version is better. They're both perfect.
- Jon Spencer Blues Explosion, Flavor Pt.2 - Things Gen-Z won't understand: Beck was a rapper. Recording said raps to answering machine tapes. Gutbuckets.
- The Grateful Dead, Box of Rain - this shaped what I would listen to for the next 35 years and going. The Dead not being Dead-y.
- Hey Marseilles, Rio - Handclaps. Horns.The promise there is more to see
- Creeper, Crickets - so, yeah I'm emo if this is emo. And this is very emo.
- Cat Power, Dark End of the Street - Again, versions can be argued, but Chan at like 3bpm is honey on a hot summer night.
- The Menzingers, Sun Hotel - emo punk by way of Leonard Cohen.
- The Pogues, A Rainy Night in Soho - Still there's a light before me, you're the measure of my dreams. Their reputation and that tenderness don't line up.
- Centro-Matic, Flashes & Cables - this is country power pop
- Drive-By Truckers, Women Without Whiskey - Starting with Cooley's best. Dry and furious at once.
- Drive-By Truckers, Danko/Manuel - On to Isbell, you can feel the heat and the heartache from beginning to end.
- Drive-By Truckers, Tornados - Patterson's day. The attention to detail puts you on the scene. At one point, you feel the wind.
- Jason Molina, North Star - another of his greats. No matter the name.
- Neil Young, Cowgirl in the Sand - another walking at sunrise banger.
- Drive-By Truckers, Decoration Day - should have planned better, but only one song fits the holiday.
- Strand of Oaks, JM - back to Molina, a full-throated tribute to him and the impact of music on Midwestern kids - "Now it's hard to hear you sing/the crow has lost its wings/I got your sweet tunes to play/I'm getting older every day/Still making the same mistakes/I got your sweet tunes to play"
- Teenage Fanclub, The Concept - the concept is that power pop is this fu.
June
- John Prine, Bruised Orange (Chain of Sorrow) - a constant reminder to shake it off for years before someone said to shake it off more emphatically
- MJ Lenderman, TLC Cagematch - a tender ode to professional wraasling and doing what it takes to survive
- The Monklees, Daydream Believer - just dang bliss
- Old 97's, Won't Be Home- the relationship was doomed from the very start in the backseat of a Mustang on a cold night in a hard rain
- Deer Tick, Ashamed - Another race to the finish line. A broken man in love, just hanging on.
- Low Cut Connie, Diane (Don't Point That Thing at Me) - Another ripper with a little more 60s sprinkled in for joy.
- Dirty Beaches, True Blue - more 60s nostalgia filtered through a dark, rainy night and walls of static
- Big Red Machine, Latter Days - Even when he's barely there, a Justin Vernon production is deniably him.
- Bon Iver, 715-Creeks - the triumph of latter-day Bon Iver - so human even when run through 1,000 machines
- Big Thief, Not - probably the best song of the 2020s.
- Burial, Come Down to Us - my airplane song for a decade. Burial, but with hope for brighter days ahead. There's soul samples, then Indian percussion, then a shot at redemption.
- At the Drive-In, Lopsided - everything ATDI does is great, but this adds an insane cowbell
- The Twilight Singers, The Lure Would Prove Too Much - Dulli turning on the charm but knowing he's doomed to repeat every old mistake
- Frank Ocean, Bad Religion - fighting demons the only place safe from the world, the backseat of a cab
- MJ Lenderman, Under Control - even Lenderman song can be summed up by ending with "ain't that a bitch?"
- The Strokes, Under Control - had to do it. A Strokes song that just crosses 3:00 which costs it a little love.
- Nick Cave, People They Ain't No Good - sometimes he's right
- Japandroids, Continuous Thunder - making a strong case that all rock songs should be only guitar, drums and fireworks
- Titus Andronicus, The Battle of Hampton Roads - 15 full minutes of frustration getting funnier and funnier
- Brian Eno, 1/1 (from Music for Airports) - pure relaxation, maybe not enough to want to wait for a flight, but he tried very hard
- Leonard Cohen, The Partisan - name a more haunting verse than "there were three of us this morning/I'm the only one this evening/but I must go on/the frontiers are my prison"
- Makaya McCraven, In These Times- is it improvised or is it sliced and sampled? whatever it is, it works.
- Bob Dylan, Idiot Wind - his snarling best
- Craig Finn, Jeremiah's Blues - he comes to California with a proposition, to live with Jeremiah's girl until he gets out of prison
- Bloc Party, This Modern Love - updating Joy Division for the 2010s was exactly what the world needed
- Outkast, Aquemini - I have no idea what the best song on this album is or what Anne's best verse on this album is, but this competes (exception: SpottieOttie horns rule all)
- Pusha T, The Story of Adidon - Push in kill mode is at his best when he laughs at how good his own bars are
- Neil Finn, Don't Dream Its Over (Live) - stripping away the (for its time, pretty good) 80s production and focusing on the song is a revelation
- Jason Isbell, To a Band That I Loved - a whole list of songs about loving someone else's music could be made (see: Strand of Oaks, JM), but Jason extolling Centro-Matic is gold
- Centro-Matic, Flashes & Cables - its a perfect country pop song and then just goes into "da da di do" mode and its even betterJuly
July
- Billy Bragg, Waiting for the Great Leap Forwards - his opus, if you've got a blacklist, I wanna be on it.
- Buddy Holly & the Crickets, Not Fade Away - the simplicity of its brilliance - the birth of so many things to come
- Arcade Fire, Wake Up - they went on to great things but never reached this level of chant-along brilliance again
- Cher, Just Like Jesse James - only Cher could take production this cheesy and make it such an anthem
- Sleater-Kiney, One Beat - Corin wails, Carrie chants, Janet pounds. The perfect S-K song.
- Damien Jurado, Everything Trying - more like everything crying
- Danny Brown, XXX - when Danny Brown was on top, this was a peak
- Aaliyah, Are You That Somebody - Timbo's beats are fantastic, but Aaliyah's cool just oozes everywhere.
- Fleet Foxes, Mykonos - At their most Steely Dan, its like if Insta was a music site
- Blitzen Trapper, Furr - I think this came before Fleet Foxes or birthed Fleet Foxes or maybe that was Midlake - the mid-2000s are a blur
- The Monkees, Daydream Believer - the world has been trying to make something this catchy, this ear worm-y ever since
- The Beta Band, Dry the Rain - High Fidelity hasn't aged great, but this song remains as catchy as when Rob sold albums
- Jenny Lewis & the Watson Twins - we all cement in our ways as we get older, but we can still bring it when we need to
- Fiona Apple, Tymps (The Sick in the Head Song) - there is nothing going on here that isn't profoundly weird, but Fiona can turn anything to gold
- Iron & Wine, The Trapeze Swinger - nine minutes and thirty seconds of loosely connected expressionism that comes together exceptionally
- Silver Jews, New Orleans - Berman at his cheekiest, "there is a house in New Orleans, not the one you've heard about, I'm talking about another house.
- Sturgill Simpson, Turtles All the Way Down - another who came out of the gate absolutely swinging
- R.E.M., Find the River - the perfect outro to Automatic - you see the fields and the river as you drive down the back roads
- Tyler Childers, Feathered Indians - that first verse is impossibly great, "my buckle makes impressions on the inside of her thigh/there are little feathered indians where we tussled through the night/if I'd known she was religious, then I wouldn't have come stoned/to the house of such an angel too fucked up to get back home"
- Wednesday, Quarry - specificity (and guitars) are the soul of narrative
- Matthew Sweet, The Devil with the Green Eyes - time should remember Matthew Sweet as someone who who brought power pop into the 90s and never missed
- Shannon & the Clams, Sleep Talk - I loved that period in the 2010s that was all references to the 1950s
- Prince, Starfish & Coffee - to celebrate the 18th anniversary of meeting Cynthia Rose, there is only one song
- Jerry Jeff Walker, Mr. Bojangles - as a good a song as there is about a dancing man and his dog
- Frank Ocean, White Ferrari - none of the structure that makes up a song, but a glorious trip through the Ocean-verse.
- The Stone Roses, I Wanna Be Adored - sometimes rock should be screamed from the rooftops
- Beastie Boys, Looking Down the Barrel of a Gun - all of Paul's Boutique bangs, but this is a special level of raucous fun
- Foo Fighters, Hey, Johnny Park! - the Foos also did power pop, Big Star would be proud
- Japandroids, Fire's Highway - this makes four straight days of shout-alongs. Wo-oh-oh-oh-oh.
- Best Coast, Storms - The Fleetwood Mac cover they were put on this earth to do
- Damien Rice, 9 Crimes - the peak of the bleak Hanigan-Rice songs
August
- Guided By Voices, Echos Myron - when GBV sounds like The Kinks, GBV is at its perfect game-hurling tops
- Madvillain, Great Day Today - the man behind the mask just enjoying himself at the mic
- Stevie Wonder, Sir Duke - every Stevie incarnation is great, but this is him at his most joyous, celebrating the very existence of songs like this
- George Harrison, All Things Must Pass - George's sweet reminder that it gets better, sometimes not fast or how you want, but eventually...
- The Paragons, The Tide is High - that someone else had to help get this noticed is a stain on history - just try not to dance.
- Bobby Womack, Across 110th Street - the cinematic sweep of storytelling with the Wrecking Crew holding this down - another shame that it went largely unheard until Jackie Brown
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